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There has never been a better time to be Rachel Weisz, or indeed, a Rachel Weisz fan. Since The Favorite in 2019, she’s been in a string of steamy TV sessions from Prime Video’s Dead Ringers remake in 2023 to brand new Netflix show Vladimir, based on the hit novel of the same name.
I could wax lyrical about how refreshing it is to see a woman over 50 consistently and unashamedly explore her sexuality onscreen until the cows come home, but the projects Weisz is picking are so much more than that. For one thing, Vladmir is possibly the most uncomfortable binge watch of my entire adult life.
At the same time, new professor Vladimir (Leo Woodall) arrives on campus — and despite them both being married, P becomes infatuated with him, fantasizing about the idea of Vladimir whenever she can.
In Vladimir, sex has never been more sordid or scandalous
Vladimir | Official Trailer | Netflix – YouTube
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Netflix invites us to “descend into sexy madness” while watching Vladimir, and that’s an incredibly apt summary. M is clearly an academically smart and well-educated woman, but when it comes to her moral compass, she’s operates like a clueless teenager.
It’s hardly a spoiler to say P throws her family, career and sanity out of the window in order to objectify and clamor over Vladimir while he shows very little signs of reciprocation. When we meet him, he’s a true family man, putting his daughter and marriage to fellow troubled colleague Cynthia (Jessica Henwick) before professional ambition.
I like that there’s no real reason for P self-sabotaging, as we often don’t understand those who choose to in real life. She hates John for putting her in such a precarious position, but equally uses him as a vessel to act on her feelings for the version of Vladimir she’s created in her head.
You might think this sounds like a modern feminist icon, shunning the conventions of marriage and professionalism in order to be fully liberated by sex and passion. However, her stance on the female complainants against her husband puts an end to this, with P making it clear that she believes the women in question are just as at fault.
We’re left with a complicated soup of unadulterated mess to sift through, making us critically engage in ways we’re normally afraid to… and this is our real breath of fresh air moment.
Content is arguably taking the safe route, trying not to ruffle any feathers or give viewers any pause for thought. There’s a reason why the likes of Virgin River and Sweet Magnolias are championed by Netflix, and with Vladimir, it’s going against the grain.
Don’t get me wrong, it’s an incredibly uncomfortable binge
Reality, or an illusion? (Image credit: Netflix)
Don’t get me wrong, though… you’ll likely find Vladimir an incredibly tough watch. Not just because the subject matter is morally dubious, but because the new Netflix show really turns up the spice.
Almost all of the 8 episodes feature a hot and heavy sex scene, and showrunner (and original author) Julia May Jonas has spectacularly nailed the spice. Nothing is gratuitous or unnecessary, and desires are explicitly explored with nothing off-limits. Honestly, it’s all you could ever ask for.
By this point, it hopefully goes without saying that Weisz is completely mesmerizing, and she’s head and shoulders above the additional cast. In a way that brings Notes on a Scandal, Misery and Fleabag together, she frequently breaks to fourth wall to talk directly to viewers, yet it remains difficult to understand exactly what she’s going to do next.
Jonas frequently distorts P’s imagination and reality, combining them into the same indistinguishable scene. Vladimir is an incredibly easy binge watch too, with all 8 episodes coming in under the 30-minute mark. It’s all like taking a medicine you know isn’t really any good for you.
Sure, John inserts himself too heavily into the story when he’s the last thing we care about, but everything else about Vladimir is sexy from start to finish. Sexy is often unhinged when you take off the rose-tinted glasses, and this is truly a warts-and-all experience.
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